Liquid Architecture

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Capitalist Surrealism

Clemenger Auditorium, National Gallery of Victoria
180 St Kilda Rd, Melbourne
7pm-10pm
FREE

This program of lecture-performances by sound artists is brought to you by the new cultural logic of capital — real, but honestly, also kind of surreal (algorhythmically-determined, creatively industrial, simulacra sold back to us as authentic alternatives).

The tenant farmers on digital lands of ever-increasing data-value, artists are creative entrepreneurs in creative industries which make up the creative economy. Practising art in the places where you can afford to live is the practice of participating in pricing yourself out of the market. Where once was the academy are now neurotic bureaucracies of questionable competence, except for when it comes to exploitation. And everywhere, it seems harder than ever to glimpse, let alone grasp, a world beyond work.

Instead of being haunted by the spectres of our lost futures, let’s embrace the fantasies of productivism (just as scare quotes embrace “reality” when it goes before “TV”). Listening can enable us to sound unconscious capital. By engaging capitalist surrealism as an alternative present, are we naive, wishful, potentially collusive or hopefully imagining some kind of other horizon?

Yes.


Image

Print material designed by U-P

Artists

Brandon LaBelle
questions of social life and cultural agency, using sound, performance, text and sited constructions
Carolyn Connors
At one factory, each worker was assigned a piece of wood. Each of the four sides was painted a different colour: black, white, yellow and blue. The piece of wood displayed the colour that corresponded to the quality of the worker’s work the previous day: black was bad, blue was so-so, yellow was good, and white was excellent. The daily colour for each worker was logged in a ‘book of colour’.
Holly Childs
the language and emotions of ecological and computational systems
Jennifer Walshe
Irish Dada-ist, composer and musical conceptualist, socially mediated / meditated performance art
New Waver
Appropriation of classic rock as a vehicle to examine the trials and tribulations of contemporary life, to the art of Powerpoint.
Saskia Doherty
speak until the breath is completely gone
Sean Dockray
"There are many conversations that happen on social media that are worth archiving and re-presenting outside of the perpetual present of those platforms. The Facebook timeline is like a broken toilet, constantly flushing. The collective knowledge generated within a status updates that generates hundreds of comments or a particularly active and focused group needs to be rescued from the planned forgetfulness of social media."
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