James Parker
James Parker is the Director of a research program on Law, Sound and the International at the Institute for International Law and the Humanities (IILAH) at Melbourne Law School. His research focuses on the relations between law, sound and listening, with a particular emphasis on international criminal law, the law of war and privacy. In 2017, James’ monograph Acoustic Jurisprudence: Listening to the Trial of Simon Bikindi (OUP 2015) was awarded the Penny Pether Prize (ECR) for scholarship in law, literature and the humanities. He has been a visiting fellow at the Program for Science, Technology and Society at the Harvard Kennedy School for Government, a faculty member at the Harvard Law School Institute for Global Law and Policy Workshop, and is an associate curator at Liquid Architecture.
James’ published research includes a book exploring the trial of Simon Bikindi, who was accused by the International Criminal Tribunal for Rwanda of inciting genocide with his songs, articles and book chapters on the judicial soundscape, the gavel and the weaponisation of sound.
Program / Events
Automated Culture SymposiumMon, 25. Nov 2019 Contra-Listening: On the Politics of Listening and Being Listened To
Thu, 10. Oct 2019 Machine Listening
Wed, 24. Jul 2019 Curating Sonic Subjects
Sat, 20. Oct 2018 Samson Young: extreme loudness over a long distance
Thu, 08. Mar 2018 Acoustic Justice
Sat, 15. Jul 2017 Lawrence Abu Hamdan: Aural Contract: The voice before the law
Sun, 18. Oct 2015 LA2015: Brisbane
Sat, 03. Oct 2015 LA2015 Sydney: Beyond Capitalist Surrealism
Wed, 30. Sep 2015 The Jurisprudence of Sonic Warfare
Thu, 11. Sep 2014